01 March 2008

We Players September

 
for the hive mind backup. those of you in sf will get more information on this later. but i can say, now, with full confidence, that the most amazing theatrical presence i have ever played with is putting a show on in september under the golden gate bridge. and its worth a cross country train ride to get there.
 
details forthcoming but save the date and all that...
 
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September 2008, We Players presents Shakespeare's Macbeth, to be staged in San Francisco at Fort Point, located directly beneath the Golden Gate Bridge. The very architecture of this the Civil War era fort evokes the extremity and absurdity of ambition, warfare, prophesy, and paranoia, providing a compelling natural landscape for this timeless tragedy.  Creating site-specific performance events that transform public spaces into realms of participatory theater, We immerse the audience in the world of the play and incite community discussion around current issues.
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the news media redeems itself, slightly

 
The kitchen was surprisingly calm, despite the prize that was on offer, and despite there being two chefs, of equal stature, poring over the food.

Maybe, though, that was the reason for the smiles, and the quiet voices.

One chef was Palestinian, one Israeli. They were members of Chefs for Peace.

There are now 45 Chefs for Peace, drawn from Jewish Israelis, Arab Israelis and Palestinians.

The group sprang out of a visit, 12 years ago, by four chefs - two Jewish Israeli, one Christian Arab Israeli and one Muslim Palestinian - to a slow food festival in Italy.

...

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draft of authors introduction for "sometimes we walk alone"

which should be ready in a couple of weeks...
 
****


Authors Introduction
(worth reading first)

On March 12, 1930 Mohandas K. Gandhi began walking with 78 satyagrahis from his ashram at Sabarmati, through the Gujarati countryside, to the Indian ocean at Dandi, to break the law. When he did so, on April 6th, through the simple act of making salt from seawater, millions of his soon-to-be countryhumans broke the law with him, and the Indian independence movement entered a stage of massive non-violent civil disobedience.

That's the short version of the story. Clearly, there's a lot of pregnant background. Thousands of years of pregnant background that this book will not provide.

Instead I have chosen to focus on another journey. On March 12, 2006, I began walking from Gandhi's ashram at Sabarmati, through the Gujarati countryside, to the Indian ocean at Dandi, to understand a little of Gandhiji's life and message.

I have provided glossaries of words, concepts, songs and recipes that I consider necessary to understand the text. Please use it. It is an extremely limited introduction to the vast and united territory of Indian philosophy and culture.

There is a mountain in the South of Indian that is Shiva (a God). We call it Arunachala, Arun being the color between black of night and the first red of the dawn. Since Arunachala is Shiva and the rocks on Arunachala are Shiva and the dirt shimmying down the side of Arunachala too is Shiva then she who would seek the end and extent of Shiva should walk, it seems, unto the sea. And then even, she, in her dedication, may not be sure to stop.

So it is with the pregnant background.

In the glossary you may also note a frustrating diversity of titles and suffixes to peoples' names. In general it is impolite to refer to an elder by their first name only, sans respectful suffix. For historical personages, such as Gandhi, I tend to use the "ji" of respect when I am referring to him as a personal influence, and to leave it out when I am referring to him as a historical figure.

As for the text that follows, it is a transcription and translation of the scragged journals I kept while walking. I typed them into a computer two weeks after reaching the ocean, at a computer in Sri Lanka, fearful I wouldn't be able to read the handwriting any longer. Over a year later I spent two weeks at Nash's Organic Produce in Sequim, Washington revising, correcting, clarifying, and translating from my private dialect to something shapely for public digestion. And now, almost two years from my first footsteps, I have returned to the tranquil campus of the Environmental Sanitation Institute to assimilate my editor's corrections.

I have resisted a great deal of temptation to insert sentiments, reflections, and supposed wisdoms that I have accumulated over the past two years – I want the book to reflect the pilgrim's progress at the time. If I have caved, you will note the phrase "I see that now" or some such construct to indicate a willful anachronism.

The epigraphs I have used to precede each chapter are all from a book of Gandhiji's writings called "My Non-violence", published by Navajivan in Ahmedabad. It was the only book I carried with me and though I did not record on what day I read which passage, it served me as a faithful guide throughout the evolving moral and physical topography of rural Gujarat.

A great deal of thanks are in order, for those who have helped this become whatever it is. To everybody's Gods, to all those who have walked before, to Jayeshbhai and Anarben and everyone mentioned in the journeys that follow, to Mattji always, to Malavika, to everyone and their computers at Nashs's -- including Neilu, Scott, Shaun, and Stella -- to all my teachers, to Adam for not preferring, to Ishwardada and the staff at ESI, to Kate and Samantha for reading, to the music, and to Erikbhai, my editor. I hesitate to involve the names of others, being unsure of the value of these words that follow, but I can say with confidence that no harm was intended in the writing, and all errors are my own.

Finally, a note on the title. The most common question I fielded during my pilgrimage was "you are walking alone?". I would be asked over and over by the same person in successive moments, with total disbelief. I should normally have said "yes" – I had set out with the intention to walk alone, in the footsteps of Mahatma Gandhi, to Dandi. But due to the interference of the observer in the experiment, I would be required in the interest of Truth to say "no". For anytime I was being asked, I was not alone. And – remember, this is India, mystic and sacred and superpopulated – I was always being asked. Hence the title, "Sometimes We Walk Alone", which I conveniently remembered from a beautiful stanza in the song "Eyes of the World" written by XXXXXXXX and first performed live at Maples Pavilion, Stanford University, on February 9th, 1973.

"sometimes we ride on your horses
sometimes we walk alone
sometimes the songs that we sing
are just songs of our own"

- ankurbhai




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hakim bey on tourism

"
I think of travel as fractal in nature. It takes place off the map­as­text, outside the official Consensus, like those hidden and embedded patterns that nestle within the infinite bifurcations of non­linear equations in the strange world of chaos mathematics. In truth the world has not been completely mapped, because people and their everyday lives have been excluded from the map, or treated as «faceless statistics», or forgotten. In the fractal dimensions of unofficial reality all human beings - and even a great many «places» - remain unique and different. «Pure» and «unspoiled»? Maybe not. Maybe nobody and nowhere was ever really pure. Purity is a will­o­the­wisp, and perhaps even a dangerous form of totalitarianism. Life is gloriously impure. Life drifts.
"
 

 

 



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the heat is on

welcome to india again.
 
its been a while and the mild winter has turned into the mild summer which is a 20 degree celsius difference and brings with into the beardom the near-fatal heat-mosquito combination which makes it impossible to guard yourself against attack because it would be too hot under the covers.
 
hence the Net (not the Internets) and Tolerance are our only options. and sleeping with a naked back on the cool marble floor.
 
i've been all over everywhere in the last month, with special thanks to Narendra Modi and the government of gujarat for throwing a private party (midnight camel rides through the salt desert included) for the elite (and me).
 
we also found a monastery of 1350 years of fame, with an uncle almost as old spouting the wisdom and poetry of the ancients, and invited me to live with him and garden amidst the sacred ruins.
 
the flute classes are 3-4 times a week and i feel like i am finally learning. i have a big flute (E) and am learning the famous Alap. my teachers have finally convinced me that the special trick i want to learn is called "Style" and only comes from practice. shit!
 
i am alive. i have no plans. india is alive and integral. the rickshaws stop for the bullock cars when they cross the street and the women walk back in sari-c regalia, hands at their sides and a metal tub of cow dung cakes atop their heads.
 
they are truly amazing. like the women in desert who walk 8 km daily to a lagoon to carry 2 (two, count them) stainless steel pots on their heads (again no hands mom and daughter) and then back to the camp (3 men and a tea keattle) where they watch over 1500 camel.
 
and i played music for them (the camels). and everybody is pysched. pictures will be forthcoming.
 
in the magic of milk relationships i have also made contact with my father's family and am having dinner with them at seva cafe (the ahmedabad bigode) tomorrow night. my long-lost aunt is living proof there is somethig to the idea of blood relations: she plays the sitar, has basically quit her medical practice to do 2 hours of pranayama a day, and has the entire bhagavad gita memorized. she has the energy and innocence of a girl and inspires me infinitely.
 
we are that we are.
 
the reading and writing have fallen into the corners of the room even the fan doesnt reach and instead im practicing Rag Kalyan and drinking cold quantities of buttermilk.
 
it's a good life, wood apple is in season, mangos are not but you can find them overpriced in the market, and im living on papaya.
 
just so we know.
ankur

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